קונסולות שידור דיגיטלית

The 52/RX Mixing Console, with its 4 to 48 faders, resembles the layout of its predecessing models RM4200D and RM3200D. At the same time, it features prominent advantages of the Series 52, e.g. linking via Ethernet, operation of up to 4 independent mixers with one DSP Frame, and the freely configurable TFT Views. Due to module sizes similar to the mentioned systems, existing RM4200D systems can easily be extended to be a Series 52 mixer by replacing the control modules and upgrading to the Toolbox5 software and the RM420-852/853 Communication Controller, while keeping DSP Frame, I/O modules, table installation frames and studio furniture unchanged. There are no limitations regarding cable lengths between the control panels and the DSP Frame, as the cabling via Ethernet allows bridging of up to 100 m with CAT6-cables. Even larger distances can be realized with a conversion to fibre-optic cables. Currently, no further modules are planned to scale up the 52/RX series. Thanks to the extensibility of the 52/RX with other Series 52 control and fader modules, including TFT displays, the combination with 52/MX devices offers many possibilities. For instance, studio control panels or complex monitoring panels of the 52/MX series can be added to an 52/RX. It is however important to note that 52/RX and 52/MX have completely different designs and module dimensions (52/MX: 42.5 mm | 52/RX: 40.0 mm - equals e.g. one fader-strip width), which makes it impossible to install 52/RX modules and 52/MX modules in collective frames.

768-channel router in 40 Bit floating-point format for all internal functions

576 inputs and 576 outputs via 6 MADI interfaces and 24 audio interface modules, digital and analogue
Audio interface modules for digital signals (AES3/EBU, SPDIF, 8 input and 8 output channels per module, 24 Bit), sample rate converter can be configured in all digital inputs (as standard), dither can be configured in all digital outputs
Audio interface modules for analogue signals (normal level, microphone, headphones, 4 input and 4 output channels per module, 24 Bit)
Galvanically isolated microphone/line input modules
Control inputs and control outputs on the audio modules or separate GPIO modules

MADI interface with 64 (or 56) input channels or 64 (or 56) output channels according to AES10 via multimode fibre-optical cables with SC plugs
48 stereo summing busses, can be used for main sums, groups, aux sums, PFL, solo and up to 30 n-1 busses
N-1 matrix with pre-fader and on-air conference; up to 30 sources can be equipped with an n-1 bus; talkback to n-1 busses can be flexibly configured, even from several talkback panels; n-1 busses can be used mono or stereo, independently of source
N-1 buses can be used both in mono and stereo independently from their source signal.
40 bit floating-point DSP functions provide "perfect sound" for all audio signals
Special audio functions: Delay, Deesser, Level Detect, Tone Generator
Comprehensive Control System; including 200 Logic Functions, Logic Delays and Potentiometer Functions.

קונסולת שידור דיגיטלית

DHD audio