מיכה בלום - תכנון והקמת תחנות רדיו מקצועיות ומערכות קול - Micha Blum - Broadcast Design
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קונסולת שידור לTV

LAWO

mc²90
Good is not always good enough. Because sometimes you want more: you want the very best. This is where Lawo's new high-end console comes in – the mc²90. With this mixer you have a tool which meets the highest of demands. And which also always guarantees optimum performance in complex productions. The mc²90 has set new standards in no time – as regards size, flexibility and reliability as well as user guidance and ergonomic design

As a real star the mc²90 has many highlights. For instance a convincing modularity which allows effortlessly converting the console from broadcast production to a surround studio. Or a freely configurable desk surface with up to 200 faders, while direct access to all parameters is possible at any time. The mc²90 also fascinates with its perfect sound quality: equipped with high-performance DSP cards, the mc²90 guarantees excellent signal processing – cracking delay settings are therefore a matter of the past. 

 

Other benefits:

Other benefits:
Loudness metering* - full signal control implemented in mixing console, following the standards of EBU and ATSC (*available with V4.14 SW Release)
AMBIT is a DSP module for the perfect conversion of stereo signals to surround sound
Flexible desk surface which ideally adapts to your individual workflow
Form follows function, the new operating philosophy allowing short training and intuitive operation of all audio modules
Highest reliability, e.g. thanks to a control processor which has a redundant design for the first time
Innovative design and top quality materials which make the mc²90 the eye-catcher of your studio

  • Frames from 16 + 8 faders to 192 + 16 faders
  • Remote frames of 16 and 32 faders
  • 6 banks per 2 layers
  • 100 mm faders + 8 rotary controls with free assignment + Input-Gain Control; channel display for every fader with sense-triggered change of module display in the channel display
  • TFT metering mono, stereo or 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment
  • Output of GUI pages, e. g. metering, to external screen
  • Console lighting per fader bay
  • Colour coding per fader, setting per snapshot
  • Fader notch, PFL overpress
  • 33 user buttons
  • Optional: script tray, PPM integration, TB microphone integration
  • 2 U or 5 U 19’’ integration
  • 888 channels and 144 summing buses, 40-bit floating point
  • Up to 760 inputs with A/B input, up to 64 sub groups, 32 aux sends, 96 track busses, 48 main sums, change on the fly from mono to stereo to surround channel and bus
  • Up to 96 surround channels, 128 VCA groups, 256 GPC channels
  • Surround formats: DTS/Dolby Digital 5.1, Dolby Pro-logic 4.0, DTS ES / Dolby EX 6.1, SDDS 7.1, DTS-HD 7.1; various panning characteristics, surround aux bus
  • Loudness metering: full integration in mc² mixing consoles - see below
  • AMBIT: conversion of stereo signals to 5.1 surround sound
  • 2* AFL: 1* surround 8-channel, 1* stereo
  • 2* stereo PFL
  • Audio-follow-Video with 128 events, control via Remote MNOPL protocol, GPI or matrix connect, adjustable envelope with up to 10 s fade time
  • Solo In Place
  • Permanent input metering on the fader; selectable metering of INPUT, PF, AF, DIROUT, on the channel display
  • Modules: INMIX with MS Decoder, digital amp, 2-band fully parametric filter, 4-band fully parametric EQ, 2-band fully parametric sidechain filter, insert, delay up to 1800 ms (units in metres, milliseconds, frames); 4 independent dynamics modules: Expander, Gate, Compressor, Limiter; Image, Meter, Direct Out
  • Inline configuration with send/return switching – on the channel or global
  • 128 VCA masters with metering of up to 8 slaves
  • Fully-equipped surround channel with linking of all channel parameters and Hyper Panning
  • AMBIT upmix with normal channel latency, available for every surround channel
  • Loudness Metering compliant to EBU R128 & ATSC/A85, available for every surround, stereo or 
  • mono channel; integrated for every sum and group

  • Up to 8192 crosspoints, non-blocking
  • 96 kHz, 24-bit
  • Fully redundant signal path
  • Level adjustment of all inputs and outputs
  • Downsizing from up to 7.1 to stereo
  • Integrated monitoring devices for remote locations, e. g. director’s room
  • Full networking of up to 16 HD Cores, share and import from sources and destinations, studio intervention
  • Full snapshot and production data portability independent of matrix and DSP size
  • Level control for every input and output


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